Making Bead Soup

As I write this, I’m watching rivers of raindrops slide down my window, silvering the world outside. I imagine the raindrops soaking deep into the gradually thawing earth, awakening the roots, seeds and bulbs that silently wait there ready to burst into their spring growth. Creation energy is whispering in the air…

That gently awakening energy has inspired me to create my own beady concoctions here in my studio. Taking direction on bead color mixing from Beverly Ash Gilbert’s Beaded Colorways book, I’ve experimented with some bead soup of my own in a neutral, winter-inspired palette.  I originally wrote about my color inspiration here.

The small moonstone cabochons I found in my stash are encircled with some beads from each soup I mixed.

I’ve added some pearls and gemstones in similar hues to round out the soups.

Another free-form bracelet is cooking…

My Taos Wrap

Inspired by the rich colors and textural landscape of Taos, NM, I started this wrap at the Jane Thornley knitting retreat I attended there last September. If you’d like to read about my journey there, I wrote about it here, here and here.

Fully intending to complete my creation once I returned home to New England, I found that life kept pulling me away from this particular set of circular needles. It was only after I moved into my new home permanently and life settled around me that I could wrap myself into this project once again.

Worked from wrist to wrist with a series of increases and then decreases, I felt like I was climbing a mountain – up, up, up, resting for a bit on the peak and enjoying the view, and then down the other side. In my case, I made the descent side of the “mountain” symmetrical yarn-wise to the ascent. Where I started out intuitively reaching for the next ball of yarn, I retraced those color choices for the second half of the wrap, a balance of right brain and then left brain thinking. After completing my descent and binding off, I sewed small sleeves starting at each wrist.

As you can see, my wrap can be worn quite long. Alternately, I can always bunch it up for a shorter, bulkier wrap. I prefer wearing it in its full length glory. And with a flower sprouting from my head!

In wearing it a couple of times already, I have discovered that a shawl pin would help it stay on my shoulders more securely. I’m still considering whether I’d like to make one of polymer clay or bead embroidery. What do you think?

I’ve already started another free-range knitting project – a Winter Woods vest, inspired by Jane Thornley’s Winter Forest Evocative Guide and my Sunday hikes in a nearby wood. Here’s a peek at what’s on my needles.

There’s something so magical about blending colors with yarn. Mmmm…

What project are you working on?

Don’t make money your goal. Instead, pursue the things you love doing, and do them so well that people can’t take their eyes off you. All the other tangible rewards will come as a result.

~Maya Angelou

Color Inspiration

In my continuous quest to find and connect with other artists who drench their lives in color and beads, I have discovered a beady kindred spirit, Beverly Ash Gilbert.

Wandering around the web, I stumbled upon a blurb about the release of Beverly’s new book, Beaded Colorways: Freeform Beadweaving Projects and Palettes.

A rich title full of words I love: color, freeform, beads, palettes.

After excitedly purchasing her book, I went on an internet journey to find out all I could about this artist who loves color and freeform beadwork as much as I.

Inspired by the colors of nature in her northwest home, Beverly creates what she calls “bead soups”, mixes of seed beads, gemstones and pearls in variations of a hue. Mmmmmm, just the combination of those 2 words evokes yummy and juicy to me so I know that I’m on the right path, the path of rich becoming. Beverly goes on to create art jewelry pieces using these “bead soups”, transitioning from one “soup” to another in a beautiful flow of color. Take a look at the gorgeous pieces in her gallery.

In my own freeform approach, I choose a color palette inspired by nature.

a sunrise

an autumn walk in the woods

and then create patches of color (from that palette) that weave over and around each other.

Beverly has inspired me to expand how I look at my color choices and enhance my work with my own “bead soups”. Even though her clear writing and instruction speaks to all levels of beading experience, I find that it is ideal for someone like me who already has a fairly large bead stash for mixing and blending.

A New England winter palette threads its way through the fiber of my being these days, evidenced by my latest knitting creations.

and the beads I chose on my birthday bead store excursion.

Hmmmm, yes, winter….but look….peeks of spring here and there.

I think it’s time for another freeform bracelet.

What inspires you at this cold, muted color time of year?

The color of springtime is in the flowers, the color of winter is in the imagination. ~Ward Elliot Hour

From My Studio

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I was so enchanted with knitting my first vest that I dove right into knitting a second one in a different colorway. Above is a photo of the back center ribbon yarn panel. I used Knit one, Crochet Too Tartelette yarn in the Rainforest colorway. Mmmm…

I’ve just completed the knitting and am now carefully weaving in each little yarn end, one at a time. While I love choosing my yarns and knitting them together in a free-form way, this weaving part seems very tedious to me. There is a soothing rhythm to it but it takes such an awfully long time to complete. It’s much like sanding polymer clay work. And, just like with that, it’s time to slow down and not be so impatient for the finished product.

I’d love to hear how others cope with this never ending task.

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With my first vest, I stayed with very similar colors as the original vest pattern. This is what drew me to it in the first place. Now I’ve branched off into a colorway that expresses me uniquely – muted, soft blues, greens and tans. I am so looking forward to wearing it. My first vest is going to be a gift for someone special.

The free-form knitting bug has bitten me quite deeply, taking over all of my free art time. I am enjoying myself so much in this luscious world of color and texture. So much so that I will eventually need to rouse myself out of this infatuation soon to get back to jewelry making for my show in November.

Not just yet though.

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I’ve started gathering a yarn stash for my next free-form project which I will be knitting in Taos, New Mexico. I’ve signed up to participate in a Jane Thornley workshop in September. More on that very soon…

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Last weekend during a visit to Lowe’s, I grabbed some paint chips in southwestern colors to help me in picking out my yarns.

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I’m also trying to decide what color to paint the kitchen in my new condo. After months of waiting, my closing is drawing near. I happened to put this fresh Oasis green yarn on top of my chips and was immediately enchanted by the color combo.

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While shopping in Joann Fabrics several days later, I came upon this beautiful fabric. Does that ever happen to you? I get a specific colorway on the brain and I keep seeing it everywhere! This will be perfect for some pillows.

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While browsing the internet one day, I came across 2 lovely blogs bursting with color and granny square crocheting – Lucy at Attic24 and Vanessa at do you mind if i knit. Oh, I remember granny squares! I’ve made many a blanket over the years with this sweet, old fashioned technique. In fact, carefully folded away in my closet is one of my children’s baby blankets in a rainbow of sherbert colors. Anyway, I started to think that quite possibly it was time for another granny square adventure so I found some very reasonably priced cotton yarn called Sonata at elann.com. A granny square blanket in greens, blues and purples would be just perfect for my bed in my new place.

My art world lately has been filled with yarn, yarn and more yarn. How about yours?

From My Studio

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My free-form (free range) vest is almost done. I thought the weaving of the yarn ends would never end! I was playing with them and made this little colorful nest. As I was playing with the strands, an idea popped into my head.

Could I put them outside for the birds to make their nests? Is that safe?

I can’t bring myself to throw these snippets away.

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Instead of adding a band of knitting at the bottom, I single crocheted all around the edges of the vest, including the armholes. It made the bottom a little wavy looking, I’m not sure why. I really like the edging but think that I should add a couple more rows of single crochet.

What do you think?

Here’s a closeup of the back panel of ribbon yarn.

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Even though you need to take great care when stitching and later washing the garment, I love working with ribbon yarn. It’s so scrumptious looking with the way the colors wash into each other and it feels silky and luscious in my hands.

Lately, instead of beads, I’ve started collecting yarns. Oh no, another addiction. Here’s the latest purchase. I think I’ll make another vest in lighter blues, greens and tans.

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Speaking of blues and greens, I started playing with my watercolors last weekend. I’m not painting anything in particular, just feeling the way the colors lay on the paper and swirl and mix into each other. I’m just playing…

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I especially love the “bloom” effect as the colors meet on the wet page. Blue says, “hello yellow, let’s bloom together and make green” Lovely.

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Maybe someday I’ll actually paint some real flowers from my garden but for now I am having so much fun making free-form watercolors.

When I was in kindergarten many moons ago, my most favorite activity was finger painting. I loved swirling the paint around with my fingers.

“The moment in which children relax into the presence of their imagination there is often a collective sigh of relief – of children smiling to each other, knowing that their inner world is not peculiar to one’s self, but a vast gathering of information in everyone, like the richly populated voicing of the sea or a summer meadow.” ~Richard Lewis