Making Bead Soup

Feb24

As I write this, I’m watching rivers of raindrops slide down my window, silvering the world outside. I imagine the raindrops soaking deep into the gradually thawing earth, awakening the roots, seeds and bulbs that silently wait there ready to burst into their spring growth. Creation energy is whispering in the air…

That gently awakening energy has inspired me to create my own beady concoctions here in my studio. Taking direction on bead color mixing from Beverly Ash Gilbert’s Beaded Colorways book, I’ve experimented with some bead soup of my own in a neutral, winter-inspired palette. I originally wrote about my color inspiration here.

The small moonstone cabochons I found in my stash are encircled with some beads from each soup I mixed.

I’ve added some pearls and gemstones in similar hues to round out the soups.

Another free-form bracelet is cooking…

Saturday Morning Tea

Jan30

Here in New England, we’re in the midst of an arctic blast with temps in the teens and howling winds making it feel like the air is below zero when you step outside. Brrrr… I’m grateful to be tucked away in my little nook with a steaming mug of green tea to warm my hands and my spirit.

This morning’s tea is called, interestingly enough, Lonely Mountain White Mist. Of course I chose this tea for its poetic name, conjuring images of a faraway land with tea bushes gracing a mountainside.

This tea comes from a fine plucking (top 2 leaves and a bud) of tea bushes grown in Fujian Province located in southeastern China. Traditionally described as “eight parts mountain, one part water, and one part farmland”, its climate is very suitable for tea growing with over 1200 tea plantations scattered throughout the province. So, our image of the mountainside is right on.

I steeped the leaves for 3 minutes in 180 degree water. As I gently lift the lid of my glass teapot, the pale golden liquor imparts a fresh, clean aroma. Is spring almost here?

The tea is so pale that I can see the texture in my hand crafted teabowl. If I could choose one word for this tea it would be

sweet

A sweetness that swirls and lingers through the asparagus notes and right on into the finish. So smooth…

As I mentioned in my last post, I am itching to play with my beads in a free-form way so today I will journey into the world of bead soups, mixing colorful bowls full of beady goodness.

“You can’t use up creativity. The more you use, the more you have.”

~Maya Angelou

What are you creating this weekend?

Color Inspiration

Jan27

In my continuous quest to find and connect with other artists who drench their lives in color and beads, I have discovered a beady kindred spirit, Beverly Ash Gilbert.

Wandering around the web, I stumbled upon a blurb about the release of Beverly’s new book, Beaded Colorways: Freeform Beadweaving Projects and Palettes.

A rich title full of words I love: color, freeform, beads, palettes.

After excitedly purchasing her book, I went on an internet journey to find out all I could about this artist who loves color and freeform beadwork as much as I.

Inspired by the colors of nature in her northwest home, Beverly creates what she calls “bead soups”, mixes of seed beads, gemstones and pearls in variations of a hue. Mmmmmm, just the combination of those 2 words evokes yummy and juicy to me so I know that I’m on the right path, the path of rich becoming. Beverly goes on to create art jewelry pieces using these “bead soups”, transitioning from one “soup” to another in a beautiful flow of color. Take a look at the gorgeous pieces in her gallery.

In my own freeform approach, I choose a color palette inspired by nature.

a sunrise

an autumn walk in the woods

and then create patches of color (from that palette) that weave over and around each other.

Beverly has inspired me to expand how I look at my color choices and enhance my work with my own “bead soups”. Even though her clear writing and instruction speaks to all levels of beading experience, I find that it is ideal for someone like me who already has a fairly large bead stash for mixing and blending.

A New England winter palette threads its way through the fiber of my being these days, evidenced by my latest knitting creations.

and the beads I chose on my birthday bead store excursion.

Hmmmm, yes, winter….but look….peeks of spring here and there.

I think it’s time for another freeform bracelet.

What inspires you at this cold, muted color time of year?

The color of springtime is in the flowers, the color of winter is in the imagination. ~Ward Elliot Hour

From My Studio

Aug21

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I was so enchanted with knitting my first vest that I dove right into knitting a second one in a different colorway. Above is a photo of the back center ribbon yarn panel. I used Knit one, Crochet Too Tartelette yarn in the Rainforest colorway. Mmmm…

I’ve just completed the knitting and am now carefully weaving in each little yarn end, one at a time. While I love choosing my yarns and knitting them together in a free-form way, this weaving part seems very tedious to me. There is a soothing rhythm to it but it takes such an awfully long time to complete. It’s much like sanding polymer clay work. And, just like with that, it’s time to slow down and not be so impatient for the finished product.

I’d love to hear how others cope with this never ending task.

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With my first vest, I stayed with very similar colors as the original vest pattern. This is what drew me to it in the first place. Now I’ve branched off into a colorway that expresses me uniquely – muted, soft blues, greens and tans. I am so looking forward to wearing it. My first vest is going to be a gift for someone special.

The free-form knitting bug has bitten me quite deeply, taking over all of my free art time. I am enjoying myself so much in this luscious world of color and texture. So much so that I will eventually need to rouse myself out of this infatuation soon to get back to jewelry making for my show in November.

Not just yet though.

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I’ve started gathering a yarn stash for my next free-form project which I will be knitting in Taos, New Mexico. I’ve signed up to participate in a Jane Thornley workshop in September. More on that very soon…

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Last weekend during a visit to Lowe’s, I grabbed some paint chips in southwestern colors to help me in picking out my yarns.

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I’m also trying to decide what color to paint the kitchen in my new condo. After months of waiting, my closing is drawing near. I happened to put this fresh Oasis green yarn on top of my chips and was immediately enchanted by the color combo.

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While shopping in Joann Fabrics several days later, I came upon this beautiful fabric. Does that ever happen to you? I get a specific colorway on the brain and I keep seeing it everywhere! This will be perfect for some pillows.

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While browsing the internet one day, I came across 2 lovely blogs bursting with color and granny square crocheting – Lucy at Attic24 and Vanessa at do you mind if i knit. Oh, I remember granny squares! I’ve made many a blanket over the years with this sweet, old fashioned technique. In fact, carefully folded away in my closet is one of my children’s baby blankets in a rainbow of sherbert colors. Anyway, I started to think that quite possibly it was time for another granny square adventure so I found some very reasonably priced cotton yarn called Sonata at elann.com. A granny square blanket in greens, blues and purples would be just perfect for my bed in my new place.

My art world lately has been filled with yarn, yarn and more yarn. How about yours?

From the Studio

May28

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Now that my studio time has become limited to evenings and weekends since my return to full-time work 3 months ago, I have slipped into a comfortable rhythm as I dip into one art project and then another. Depending upon my mood, my energy level (especially after a day of work) and whatever else is going on, I choose my project and settle in for some blissful art making. Lately, my choices have been between my knitting, weaving beads for jewelry pieces, and my art journal.

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My knitting is a dear old friend, with its cozy and comfortable rhythm, always there to wrap me in its warm embrace. Using a newborn sock pattern I recently found online, I’m making a rosy pink pair of booties for a colleague’s brand new daughter. It took me a couple of practice starts trying to find the right gauge and now I’ve settled upon using size 2 double pointed bamboo needles.

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My beadwork is constantly evolving as I try new and different weaves to express the beauty of nature and how it touches and resonates within my soul. I love the color palette I used for my Spring free-form bracelet and do not want to let it go just yet. Using the bead soup mix I found left over on my bead mat, I created a 2-drop peyote cuff.

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I was pleasantly surprised by how quickly and easily this cuff came into being and am excited by the range of ideas floating in my head on how I can use it for a background for polymer clay work like canes, cabochons and buttons. For this particular cuff, I think I will create a glazed polymer clay face cabochon in soft pinks as a focal point. I haven’t figured out yet what I will do for a clasp. I want something that will go well with the design and colors of the cuff. I feel that if I add a metal clasp that it might be too jarring for the rest of the design, especially with the soft colors of this palette. Any ideas?

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My new love is my art journal. Sarah Whitmire’s wonderful Soul Journal prompts have taken me gently by the hand and guided me as I start out on this self-discovery journey. Now that I have almost completed the 22 days of prompts, I find my wings starting to flutter open. I want to fly on my own across my journal pages and see what happens.

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I am having so much fun mixing and layering paint colors on the pages. I’ve discovered the “My Studio” line of inexpensive acrylic paints at A.C. Moore and everytime I visit I am compelled to get just a couple more colors! I also find myself looking around the house for interesting elements to add and use for stamping and texturing my pages. Inspired by my dear friend Judy, my next step is to try my hand at molding paste to bring a lot more texture to my pages. I’d like to use that for the cover of my journal. If anyone has any tips or stories to share about your own art journaling/collage experience, please do!

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