My art voice has been very quiet here lately. As I have become increasingly focused on fixing up my new home and moving in, I know that I have been neglecting the playful, art side of myself in a big way. Now, feeling totally overwhelmed, I’m quickly learning how very important it is for me to set time aside and regularly nurture that side of myself to maintain balance in my life. I think that when that feeling of overwhelm creeps into our lives, it is because something important is being neglected. All that said, I embraced my art self once again when I attended Lindly Haunani’s color workshop called Dancing with the Rainbow.
With her soft voice and gentle manner, Lindly patiently brought us to a greater understanding of the world of color and, most appealingly to my inner “Color Kitten” (my favorite childhood book by Margaret Wise Brown), how to mix colors (oh joy!) to achieve a color palette that is a true expression of your artistic voice.
Our homework before the workshop was to gather pure color images clipped from magazines. As described on pages 44-47 in Lindly’s book (written with Maggie Maggio), Polymer Clay Color Inspirations, our first task was to sort these images into subsets of color families, those colors that “went together”. We then chose the subset that resonated most strongly with our inner spirit. As we went through this process, Lindly spoke with each participant one by one and carefully observed their body language and listened to their voice very closely for clues to individual palette preferences.
Once we chose our subset, we created a collage with the images. Out came the scissors and glue sticks and I felt like a little kid again, joyfully arranging my images onto a sheet of Bristol board.
Fall was definitely in the air that day as quite a number of us chose a similar autumn color palette.
Once our collages were complete, we brought them together and carefully studied each one, choosing the polymer clay primary colors that best represented our collage colors. Zinc or cadmium yellow? Fuschia or cadmium red? Ultramarine or cobalt blue? We used the Premo brand of clay but you can use any brand as long as you have a “cool” and “warm” version of each primary.
One of the most amazing teachings of this workshop was about “mud”, the color you get when you mix all 3 primaries together in equal proportions. We all think of mud as being, well, mud brown. Well, the “mud” mixed from my set of primaries was actually dark green. And the neatest part was when we took small pieces of mud and mixed them into our primary and secondary colors to achieve the most gorgeous earthy shades. Wow!
With a range of colors mixed from our primaries, we then began to cover a wood framed mirror that Lindly had brought for each person. Just when I got into the groove of covering mine, it was time to go home! Isn’t that always the way of it?
Here are some closeups of the beautiful collages and frames started.
I passionately encourage you to run, not walk, to your nearest bookstore and pick up a copy of Lindly’s book. If you have the wonderful opportunity to take one of her workshops, even better. It will change the way you view color forever. It has with me and I am looking forward to studying again with this marvelously talented artist.
Lindly, you are truly my color hero and I thank you from the bottom of my heart for your inspiration.