More Ribbon Bracelets

I just love beading these bracelets. They’re a great way to play with color palettes inspired by the different buttons I use for the clasps. I first wrote about my love affair with these herringbone stitch bracelets here.

These wonderful porcelain buttons were created by Maryann Carroll of Artisan Beads Plus. The delicate, muted colors remind me of the awakening spring world outside.

Here’s another view. Maryann describes her bead/component process as follows:

– Individually hand-crafted
– Dried and then smoothed with a sponge
– Bisque fired to about 1850 degrees F (1000 C)
– Glazed with about 3 coats of glaze
– Fired again to about to 2200 degrees F (1240 C)

Amazing, beautiful work.

This color palette reminds me of sea and sand. I just love the texture on these buttons.

Herringbone stitch gets its name from the way the beads sit next to each other in a v-shaped pattern. The beads in my bracelets are woven in 2 at a time except for the single row of larger beads running down the middle of the bracelet. This stitch creates a bead fabric that feels silky and sinuous against the skin. Almost like a second skin. The button and loop clasp make for a super easy on and off that my “getting older” fingers are grateful for.

For this bracelet, I chose a vibrant color palette to match this beautiful vintage style button I purchased years ago at a Whole Bead show in Providence, RI.

For the center row of larger beads, I chose triangle shaped seed beads that interlock together perfectly. The majority of beads in these bracelets are a size 11.

Interestingly enough, I shared my ribbon bracelets last year right before a spring trip out to Michigan and here I am leaving tomorrow for a trip out there. I’ll be sure to visit my favorite bead store in Frankenmuth, Bead Haven, as well as a stop by Munro Crafts in Berkley. Stay tuned for treasure sharing!

As always, thanks for stopping by and have a most wonderful week.

A Lizard Tail Goddess

First of all, I’d like to extend a big thank you to Julie Picarello for all of her inspiration in creating this necklace. And her inspiration continues with the arrival of her eagerly anticipated book in my mailbox this week. More about that later…

A little over a year ago, I was excited and honored to attend a weekend workshop with Julie, one of my polymer clay/color heroes. The first word that comes to my mind whenever I look at her work is…..yummy. Her use of color, design and texture all flow together in such an amazingly vibrant way. As part of her workshop, we made these nifty little polyclay pieces that Julie calls “lizard tails”. As much as I love Julie’s work, I didn’t want to duplicate her jewelry pieces but put my own artistic voice into my piece. So, being true to my style, my “lizard tail” became the body of a bead embroidered Goddess.

Many moons ago before I started creating jewelry and beadwork, I loved to embroider. I remember my Hungarian grandmother teaching me how to carefully lay stitches down on a tablecloth when I was very young even before I started going to school.  I continued embroidering on into my teen years, creating colorful designs on t-shirts, denim shirts and pairs of denim jeans so ripped up that I transformed them into purses. Ah, happy memories! I loved taking an everyday object and embellish it with colorful stitches. Years later when I discovered that I could sew with my beloved beads, well, oh my, I was in heaven.

This beautifully serene, bone face cabochon was purchased years ago at a bead show in Providence and has sat patiently in my studio stash waiting to be included in its own unique piece of jewelry. I beaded the face and body separately on Lacy’s Stiff Stuff and then sewed them together before adding a final beaded edge to the whole pendant. I thought about adding some fringe or a bead drop but decided finally to just keep this piece as simple as possible with no embellishment.

The choker is beaded in my favorite beading weave, herringbone stitch, with tiny size 15 beads. In seed beads as with wire gauge, the larger the number, the smaller the bead (or wire). I then beaded small gold caps to finish the choker ends and added a gold-filled filigree box clasp. Despite its long pendant, this necklace is so lightweight and such a pleasure to wear. It is backed with soft Ultrasuede.

I thought it wonderfully synchronistic that I finished this piece the same week that I received my copy of Julie’s new book, “Patterns in Polymer: Imprint and Accent Bead Techniques“. If you’ve never had the opportunity to take a workshop with Julie, this is the next best thing and is filled with eye candy inspiration and instruction on creating your own unique mokume gane pieces.

Next up on my beading table is another component made in Julie’s workshop, my “lazy river” pendant. Stay tuned, dear friends…