Studio Wednesday

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I first discovered polymer clay in the early 90s when I wanted to expand my bead collection for my jewelry making.  Over the years I’ve tried many different polymer techniques ranging from caning to faux stones to mokume gane.  With the exception of free-form mokume gane, none have resonated with my spirit like sculpting and carving polymer clay and glazing it with soft colors.

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Getting back to my studio after a several month healing period has brought me to a new place. A place of awakening forms and carved thoughts, covered in gentle glazes. Knotting pearls one by one on hand-dyed silk cord.

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I feel myself moving in a new direction with my jewelry. I don’t know where this is leading me. Like Persephone being drawn to the fissure in the earth, there is a softening and opening in my psyche that is calling to me. All I need to do is listen…

Yarn Adventures

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I find that as I get older, winter’s icy fingers burrow farther into my bones and muscles and no matter how many wooly layers I wrap myself in, I just can’t get warm enough. So, before the holidays, my desire to steep myself in warmth gently nudged me to seek out one of my passions that was now buried in tote bags in the back of my closet.  Balls of yarn in colors rich as jewels – amethyst, carnelian and ruby – spilled out onto the floor all around me like found treasure as I rummaged through my bags. I sat down with my long metal crochet hook and my big round balls of yarn and created long strips of color blocks that I then wove together with a tapestry needle, one by one. As my blanket grew, it cocooned around me, warming my body and my heart with the rhythm of the colorful stitches.

I was happy when I finally finished my blanket but sad to give up the meditative state of the needles so I dug back into my bags to unearth another ball of yarn in a gentle sage green with silky flecks of brown, green and blue. I created a scarf and then when that was done, it was back to my yarn stash. Now a ball of shiny ruby red. Another scarf. Hey, this is as addicting as beading. I wrote about making the blanket and 2 scarves here.

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Before I left for my annual holiday trek to Michigan, my Mom told me not to bring any art projects with me because she had gone to the knitting store and picked up something for us to do. Oh joy, another adventure in knitting!  As the fairy lights twinkled like stars on my parents’ Christmas tree, I made my first pair of mittens out in snowy Michigan. While I was happily knitting away, I thought that it would be so nice to be able to wear my mittens while I work on my computer. So, I studied the mitten pattern and adapted it to create a pair of open mittens, that is, with no tips on the fingers. I know that there are knitting patterns out there for a pair of fingerless gloves, in fact, Dave has a pair where the top of the mitten flaps back to reveal the fingerless glove. I just wanted something simple with an opening for my fingers so I could type unrestricted. I used a double strand of wooly yarn for thickness and warmth and was able to make them in one evening. This is a great project for using all of those bits and pieces of yarn left over from other projects. It’s fun to use 2 strands of different yarns to create interesting color and texture.

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As we enter this last week of January, I feel a stirring in the inner chambers of my heart that whispers of thawing and melting. Perhaps it is just coming from the creative visualization that I’ve been doing for my frozen shoulder or just plain ol wishful thinking but I’d like to dream that spring is not too far away.

Saturday Morning Tea

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As I gaze outside my window, I see that it is still mid-winter and we are encased in snow and ice here on Ramble Road. However, inside my cozy house, in my cup of morning tea, it’s a different story. I am sipping the first picking from the Arya estate in Darjeeling. Lot 1 of 2009. But it’s only January, you say. Is this a first flush tea?

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Actually, it is labeled as a “winter tea”. Oh dear, and here I thought I was cheating winter a little bit with springtime in my cup. Still, it is the first 2009 Darjeeling I’m enjoying and that is cause for celebration.

The preparation for this tea began last July when select bushes were carefully pruned. This pruning process encourages the bushes to “flush” right after the monsoon season which ends in September. This is actually considered the fifth season in India besides the regular four seasons that we know of – spring, summer, autumn and winter. It is a season of intense torrential rains that can cause landslides that block the Darjeeling district off from the rest of India.

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The leaf has a lot of green bits and some stem mixed in with the darker leaf. This tea has been processed as a black tea where the leaf is allowed to oxidize and turn dark.

I steeped the leaves in water just under boiling temperature for 3 minutes.

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A soft floral whisper drifts up from the amber liquor as I take my first sip. I taste a fresh fruitiness with a hint of green, almost like a ripe fruit that holds echoes of its unfolding flavor before it ripened.

I am enjoying my cuppa with my latest favorite treat, an oatmeal raisin flax cookie from Kashi. These wonderful cookies contain all sorts of goodness and one cookie is very filling.

My shoulder continues to heal, slowly but surely, and the pain fog is starting to recede, allowing my ability to concentrate to return bit by bit.

This past week I found a sketchbook that I had purchased last summer and, in the evenings after my acupuncture treatment, I started painting the pages with Twinkling H2Os, shimmery watercolor paints. Very simple. I place swirls and washes of color on each page randomly, allowing myself to just play with the paint. In my online browsing, I discovered Teesha Moore’s website and blog. Her unique and creative art journal pages have inspired me to create my own. You can read Teesha’s tips and recommendations on how to layer the pages here. I love to have guidelines when first attempting a new art technique. Guidelines allow the spirit of experimentation and play to come out and dance. Speaking of play, I want to purchase some crayons. Teesha recommends Caran D’Ache Neocolor II crayons. I found a bunch of different sets at Dick Blick’s and they look positively scrumptious.

Dipping into my creative life once again feels like a long, cool drink of water after a journey through the desert.

Creativity – like human life itself – begins in darkness.

~Julia Cameron

Studio Wednesday

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It’s a wild weather day outside, pouring rain, whipping winds and temperatures……..in the 60s.  I spent most of the day in my studio but instead of crouched over one of my worktables, I cozied up on the couch with my knitting and crocheting projects.

I love to use a lot of different colors of yarn but then end up with a gazillion little threads to weave in. There’s something very meditative about the movement of yarn and needles. Click, clack, click. With every stitch made, I send love and warmth into my creation.

The photo above shows an afghan stitch (or Tunisian stitch) with a gorgeous purple, red and orange variegated yarn. You use a special long crochet hook and start off by making a chain of stitches. Then you draw a loop through every chain stitch, leaving the loops on the long crochet hook. Once you’ve drawn a loop through every chain stitch, you place the yarn over the hook, draw through one stitch, place the yarn over the hook, draw through 2 stitches and repeat drawing through 2 stitches across the row. Then you start all over with drawing a loop up through every stitch. So, you’re basically repeating these 2 rows throughout the whole piece.

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This is a seed stitch which is a knit one, purl one stitch across your row. Then, on your next row, you do the opposite of the row before. Where there is a knit stitch, you purl. Where there is a purl stitch, you knit. It creates this wonderful bumpy texture. This yarn is a sage green with little flecks of silky blue, tan and green threads.

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This is also a knit one, purl one stitch but where it differs from the seed stitch is that you line up all of the knit and purl stitches. So, on your second row, you knit where there is a knit stitch and purl where there is a purl stitch (from the first row). This is called ribbing and is commonly found at the wrists and waist of a sweater. It creates a very elastic texture and the purl stitches recede so that it looks like all knit stitches on both sides of what you’re creating. My yarn is a rich deep wine red with flecks of silky red threads.

I had some very exciting news today. My son, who is in the Air Force, is finally coming home after completing his tech school training in Texas. He’ll be home tomorrow afternoon and will meet his one month old daughter, Ella, for the very first time. My heart swells just thinking about this very special moment.

Studio Wednesday

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It felt good to be back for a full day in my studio today! My last full studio day was 3 weeks ago because of busyness with my jewelry show preparations and the holiday last week.

I’m thrilled to have recently received a commission to create a freeform peyote bracelet in a green, brown, gold, russet and salmon palette. Here are the seed beads and pearls I’ve chosen so far. This bracelet will be smaller in width than the last one.

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I have some other projects in the works, like finishing my beaded turquoise cab necklace and creating a fringey bracelet with my citrus cane slices. I’m also working on some crocheted and knitted holiday gifts. I can post photos closer to Christmas so I don’t give any secrets away right now.

I’ve been thinking about what kinds of new projects I’d like to play with after the holidays. I find myself captivated by the book, “Wrap, Stitch, Fold and Rivet” by Mary Hettmansperger. Mary’s approach to manipulating metal and wire to create stunning pieces of jewelry resonates with my preference for creating in a freeform way. Her background in weaving and basketry brings a unique voice to these materials. I would like to try some of the projects in the book and see what I can create. Also calling to me are crocheting with wire, arashi shibori and making my own polymer clay beads for bead crocheting. I have many ideas floating around in my head and I’m looking forward to manifesting them in the New Year. Oh yes, I just got the book, “Masters: Art Quilts” out of the library and I am absolutely in love with the work of Cher Cartwright and her fabulous dyed fabric quilts. Grab a cup of tea and visit her website for an eye candy feast. Very inspiring!