Color Inspiration

In my continuous quest to find and connect with other artists who drench their lives in color and beads, I have discovered a beady kindred spirit, Beverly Ash Gilbert.

Wandering around the web, I stumbled upon a blurb about the release of Beverly’s new book, Beaded Colorways: Freeform Beadweaving Projects and Palettes.

A rich title full of words I love: color, freeform, beads, palettes.

After excitedly purchasing her book, I went on an internet journey to find out all I could about this artist who loves color and freeform beadwork as much as I.

Inspired by the colors of nature in her northwest home, Beverly creates what she calls “bead soups”, mixes of seed beads, gemstones and pearls in variations of a hue. Mmmmmm, just the combination of those 2 words evokes yummy and juicy to me so I know that I’m on the right path, the path of rich becoming. Beverly goes on to create art jewelry pieces using these “bead soups”, transitioning from one “soup” to another in a beautiful flow of color. Take a look at the gorgeous pieces in her gallery.

In my own freeform approach, I choose a color palette inspired by nature.

a sunrise

an autumn walk in the woods

and then create patches of color (from that palette) that weave over and around each other.

Beverly has inspired me to expand how I look at my color choices and enhance my work with my own “bead soups”. Even though her clear writing and instruction speaks to all levels of beading experience, I find that it is ideal for someone like me who already has a fairly large bead stash for mixing and blending.

A New England winter palette threads its way through the fiber of my being these days, evidenced by my latest knitting creations.

and the beads I chose on my birthday bead store excursion.

Hmmmm, yes, winter….but look….peeks of spring here and there.

I think it’s time for another freeform bracelet.

What inspires you at this cold, muted color time of year?

The color of springtime is in the flowers, the color of winter is in the imagination. ~Ward Elliot Hour

A Color Workshop

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My art voice has been very quiet here lately. As I have become increasingly focused on fixing up my new home and moving in, I know that I have been neglecting the playful, art side of myself in a big way. Now, feeling totally overwhelmed, I’m quickly learning how very important it is for me to set time aside and regularly nurture that side of myself to maintain balance in my life. I think that when that feeling of overwhelm creeps into our lives, it is because something important is being neglected. All that said, I embraced my art self once again when I attended Lindly Haunani’s color workshop called Dancing with the Rainbow.

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With her soft voice and gentle manner, Lindly patiently brought us to a greater understanding of the world of color and, most appealingly to my inner “Color Kitten” (my favorite childhood book by Margaret Wise Brown), how to mix colors (oh joy!) to achieve a color palette that is a true expression of your artistic voice.

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Our homework before the workshop was to gather pure color images clipped from magazines. As described on pages 44-47 in Lindly’s book (written with Maggie Maggio), Polymer Clay Color Inspirations, our first task was to sort these images into subsets of color families, those colors that “went together”. We then chose the subset that resonated most strongly with our inner spirit. As we went through this process, Lindly spoke with each participant one by one and carefully observed their body language and listened to their voice very closely for clues to individual palette preferences.

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Once we chose our subset, we created a collage with the images. Out came the scissors and glue sticks and I felt like a little kid again, joyfully arranging my images onto a sheet of Bristol board.

Fall was definitely in the air that day as quite a number of us chose a similar autumn color palette.

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Once our collages were complete, we brought them together and carefully studied each one, choosing the polymer clay primary colors that best represented our collage colors. Zinc or cadmium yellow? Fuschia or cadmium red? Ultramarine or cobalt blue?  We used the Premo brand of clay but you can use any brand as long as you have a “cool” and “warm” version of each primary.

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One of the most amazing teachings of this workshop was about “mud”, the color you get when you mix all 3 primaries together in equal proportions. We all think of mud as being, well, mud brown. Well, the “mud” mixed from my set of primaries was actually dark green. And the neatest part was when we took small pieces of mud and mixed them into our primary and secondary colors to achieve the most gorgeous earthy shades. Wow!

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With a range of colors mixed from our primaries, we then began to cover a wood framed mirror that Lindly had brought for each person. Just when I got into the groove of covering mine, it was time to go home! Isn’t that always the way of it?

Here are some closeups of the beautiful collages and frames started.

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I passionately encourage you to run, not walk, to your nearest bookstore and pick up a copy of Lindly’s book. If you have the wonderful opportunity to take one of her workshops, even better. It will change the way you view color forever. It has with me and I am looking forward to studying again with this marvelously talented artist.

Lindly, you are truly my color hero and I thank you from the bottom of my heart for your inspiration.

Dancing with the Rainbow

Perhaps the rainbow that guided us out of Albuquerque and along the road to Taos was more than just a good omen for our stay there. I believe my future was being revealed to me.

I just found out recently that one of my color heroes, Lindly Haunani, will be giving a workshop in CT, facilitated by the Southern Connecticut Polymer Clay Guild.

It’s called…………….. “Dancing with the Rainbow”.

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Lindly has recently co-authored a book with Maggie Maggio, another one of my color heroes. Dripping with page upon page of color eye candy, it is also filled with color exercises designed to help you find your own color voice. I devoured its pages as I winged my way to New Mexico, determined to start the exercises upon my return. Now I find myself looking forward to studying with the master herself and I will savor every moment.

From the Studio

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It has been quite awhile since I’ve shared any creations from my studio. I’m not exactly sure why that is but I think it has something to do with knowing that I will be moving again and I am transitioning towards moving my studio towards a new living space. Even though I don’t have a moving date yet, I feel myself disconnecting from my current studio space. It’s an interesting process.

Has anyone else ever experienced that with a pending move?

The creative time I have had has been mainly spent curled up in a cozy nook in my living room and I find myself more often than not turning to pick up a ball of colorful yarn. In this transitional time, I look for soft, tactile comfort to ground and center myself.

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A pair of beachy colored socks.

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A buttery yellow baby dress.

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A rose garden colored floppy baby hat.

Last week my company had its annual shutdown and I spent a good part of the week transforming the look of some old wicker furniture. A good Spic n Span scrub and light sanding prepared them for some sprayed on primer and then porcelain colored paint. I love their creamy vintage look and am looking forward to fabric shopping so I can create some plump cushions to adorn them with.

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While I’ve glanced at my art journal a couple of times and sorted some beads and jewelry components here and there, I haven’t felt like creating in that direction lately. I’m sure that I will return to them with renewed joy someday in the near future.

My company will be closed down every Friday during the month of August. We started doing this last year as the summertime is our slowest time of year. It gives our staff members extra time to relax and enjoy some free time before the busy fall season starts.

In anticipation of that extra free time, I’ve recently picked up a book, “Watercolor: A New Beginning: A Holistic Approach to Painting”, from the library. The first sentence of an editorial review from amazon.com expresses the book perfectly.

“Lindsay’s approach to teaching watercolor emerges from somewhere between the traditional art world and the deep, mystic spaces of the self.”

The author Ann Lindsay encourages her students to learn watercolor through the kind of playfulness we experienced in childhood. I find that approach immensely appealing so I took myself down to the arts and crafts store to purchase a pad of watercolor paper, 5 tubes of paint and a large palette for mixing.

Time to schedule some watercolor play time for myself!

Tea on Sunday

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This morning has been busy with trying to catch up on everything from the week, especially cleaning. Now that it’s all accomplished, I can sit down with my cuppa and meditate on yesterday’s experience…

I’m enjoying a cup of Formosa Black tea, a very unique tea developed by the Taiwan Tea Research Extension Station. They crossed a Taiwanese tea bush with an Assam (India)/Burmese tea bush to create this particular tea.

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The leaf is very dark and twisted into long thin strands. Now that all of the plumeria and hibiscus plants have made their way out onto the backyard deck, it uncovered this beautiful little tile table perfect for showing off the black leaf and steeped dark amber colored tea.

I steeped the leaves for 5 minutes in 212 degree F (boiled) water.

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After steeping, the leaves plumped up and unfurled into quite the pile of wet leaf. This is only half the leaves!

With my first sip, I detected the slight maltiness of the Assam along with some astringency. That’s where the similarity ended. There were also Oolong flavor notes (sweet, woody) with an interesting hint of chocolate. Despite the astringency, I drank this tea plain and, as it cooled, it smoothed out.

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I love this little table. It’s so colorful.

Yesterday his Holiness gave 2 talks, one on the Four Noble Truths of Buddhism and the second on the Path to Peace and Happiness. Throughout his talks, he emphasized that we are all human beings together, all 6 billion of us on this planet. We all have the same goal – to be happy. And we all have the same capacity for kindness and compassion. We learn from our mother how to be warm-hearted. He used that term a lot. To have a warm and open heart recognizes the connection we have with all living beings. I could go on and on with all that he said but I am still absorbing the experience. As I listened to him talk, I felt something shift inside of myself. The message is so simple yet so very profound. Wow. I cried when he walked out and I cried when he left.

There are quite a few books out there written by his Holiness. I highly recommend any of them. I am currently reading “The Art of Happiness”.

Here are some links to learn more.

The Office of H.H. the Dalai Lama

Books in English authored by H.H. the Dalai Lama

From The Government of Tibet in Exile

His Biography

“Whether they be a president, a king, the royal family or a beggar, all human beings are the same.”

“Let us strive for religious harmony, mutual admiration and mutual respect.”

~H.H. the Dalai Lama