From bead soups to a free-form bracelet

A winter walk in the woods under a full moon.

As I wrote these words today I thought how appropriate to post this on the day of the full moon even though winter has now blossomed into spring.

My first bead soups have come together with needle and thread to create a story. Unlike my other free-form bracelets with woven patches of color, this bracelet gradates from lights to darks with beaded cabochons woven into its fabric.

I love trying out new techniques and expressing them in my own voice.

3 moonstone beads finish my bracelet in a button and loop clasp.

“In every walk with nature one receives far more than he seeks.”

~John Muir

Saturday Morning Tea

Dec5

The month of December blew in this week with a tropical rainstorm. Wait a minute, this is New England, right? The following morning, the wind hurried the clouds along to reveal a brilliant blue sky and temps soaring up towards 70. Hmmm, New England? Today snow is in the forecast. Ah yes, New England.

This morning I am sipping from a cup of green tea grown in the Northern Highlands of Vietnam. The tea is called Shan Tuyet Snow Green.

As Vietnam borders Yunnan province at the north, tea trees have been growing wild there, as in Yunnan province, for thousands of years. More formal tea cultivation started in Vietnam at the beginning of the 20th century. You can read more about the history of Vietnamese tea growing here and here.

I steeped the leaves for 3 minutes in 180 degree F water. As I lifted my teapot lid, a rich floral aroma wafted up from the leaves. The liquor is a warm, buttery hue with a hint of fruit and malt in the flavor. I didn’t detect any vegetal quality at all, unusual for a green tea. The cup is quite smooth with an interesting pungency which appears and then lingers in the finish.

The dry leaf is highly twisted, only opening slightly when steeped. The wet leaf above is clinging to one of my Picasso marble stones. I love their striations.

The liquor is crystal clear and quite pleasant as it cools.

I am really enjoying my first experience with a Vietnamese green tea. Time for another cup!

Something opens our wings

Something makes boredom and hurt disappear

Someone fills the cup in front of us

We taste only sacredness

~Rumi

Studio Wednesday

Nov5

Last weekend I made some sterling silver eyepins and epoxied them into my faux jade polymer clay word charms. In my studio today, I finished each charm with a dangle and placed each one onto a stainless steel cable choker. These chokers are great. Finished with a magnet clasp, I am amazed at how easy they are to put on and take off. I tested the strength of the magnet by giving the choker a tug and it stayed in place.

From left to right above, the dangles are fancy jasper, turquoise, red tiger’s eye, pearl and a glass leaf.

I made the dangles with headpins I created myself with 20 gauge sterling silver wire and my micro torch. I have a confession to make. I’ve had this torch for years and today was the first time I ever used it. I’ve always had a fear of flames and torches. That’s probably why I don’t do more metalwork. When I took a metalsmithing class several summers ago, my heart would practically thump out of my chest every time it was my turn to solder. I always made sure my teacher was close by but I was still very nervous.

I’m happy to share that today I pushed past my torch fear and put my micro torch to work. After going over the directions quite a number of times (ok, probably 10 times), I went out on the back deck and filled the torch with butane. I was so elated when I turned it on and it worked. I kept telling myself that it was a big lighter and that helped ease my anxiety a bit. I rested the torch on the firebrick and turned it on. Then, with my other hand, I grasped a 2 1/2 inch length of silver wire with a pair of old pliers and lowered the end of the wire into the flame just beyond the blue cone. The best way to do this is to hold the wire vertically, not tilting it to either side but straight up and down. A ball formed on the end of the wire very nicely and I removed the wire from the flame. After resting the wire on the brick, I made the next headpin and so on until all pieces of wire had a ball on the end.

The balls were all black from the fire but they cleaned up rather nicely with some steel wool and a polishing cloth.

While I worked, Jack kept a close watch for bunnies and squirrels…

Studio Wednesday

Oct8

Today was not the usual full day in my studio as I was organizing and packing for my trip to Texas tomorrow. I was able to string the necklace for my turquoise cabochon. Originally, I wanted to have each strand directly attached to the beadwork framing the cabochon but the beads didn’t lay right when I tried it. Then I tried adding a bead in between a couple of the caramel picot beads on top. As I did that, I realized that I could peyote stitch a piece coming out of the top. Furthermore, that piece could be built up 3 rows, one for each of my necklace strands. The small oval turquoise beads were purchased at the Whole Bead show a couple of weekends ago. I brought the cab with me to the show so I could match the color of the turquoise. It’s amazing how many different colors turquoise beads can be! I’m still mulling over what to do with the clasp.

I also got a little time in on my September journal bracelet. The turquoise beads on either side of the tree spirit face were also purchased at the Whole Bead show. I love the crackle pattern in them.

I looked on the Weather.com website and saw that it will be 87 degrees down in Texas. It’s a good thing I hadn’t put my summer clothes away just yet. Be back on Sunday!

Bead Show Adventure

Sep30

This past weekend I ventured out in the pouring rain to the Whole Bead show in Providence, RI. I’ve been attending this show for years and it’s always been easily accessible off of Route 95, at the Holiday Inn on Atwells Ave. This year, however, they decided to change the location to the Rhode Island Convention Center on Sabin Street. I got lost going by the Mapquest directions but quickly stopped and asked for directions. Ah, why didn’t the directions mention that second left? Argh. Back on track, I found the parking garage and followed the signs up to the 4th level. Thinking of that Seinfeld episode where they get lost in the parking garage, I made a mental note of where I parked my car and headed in.

To say that the halls at a convention center are monstrous is putting it mildly. The booths were set up in a square grid with extremely bright lights illuminating all. The combination of the vendor lights with the hall lights bouncing off the tables of glittery beads gave me an immediate sense of disorientation as I stepped through the hall entrance. I decided to do a walk through to give myself a sense of who was there and what they had to offer. I was also on the lookout for my favorite vendors. Alas, with the change in venue came a change in vendors and I couldn’t locate my favorite stone bead seller, Raj from Oregon. My favorite seed bead seller was there, however, but his inventory of seed beads was half of what it usually was. I did manage to acquire some unique muted fall tones.

I feel another free-form piece starting to brew.

I got some good deals on pearls (75% off) and a beautifully unique bone pendant of Guan Yin’s head cradled in a hand. As I have a pretty extensive bead stash at home, I’m always on the lookout for a unique seller besides the usual stone and crystal beads and precious metal findings. I found one on my way out. Susan K. Nestor Studios from Ann Arbor, MI creates stamped resin pendants in various muted colors like I’ve never seen before. What really caught my eye, however, were the stainless steel and colored silk neckrings she had on display. I’ve been searching for something simple to highlight some free-form peyote and polyclay pendant ideas I’ve been gestating and these were just perfect.

I’m looking forward to playing with my new beads!